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Call for abstracts (European Architectural History Network): “Displacement and Domesticity since 1945. Refugees, migrants and expats making homes” (deadline: 15th September 2018)

Call for abstracts: “Displacement and Domesticity since 1945. Refugees, migrants and expats making homes”

In addition to the biennial conference, the EAHN collaborates with institutions across the world to organize smaller, more focused thematic conferences and seminars. These events are intended to raise the international profile of the Network through local collaborations and to promote inclusivity and interdisciplinarity.

Submission deadline: 15th September 2018

Website: Displacement and Domesticity since 1945

Abstract: Displacement connotes a sense of being uprooted. When people are displaced, it involves instability and invokes strong feelings of unfamiliarity, even homelessness. Domesticity, in contrast, implies certain stability and familiarity; a rootedness or sense of being grounded. Applied to the building and adaption of architecture, domesticity refers to the material and spatial practices that are considered indicative of the makings of a home.

At first glance, these two concepts appear irreconcilable. When hundreds of people are displaced every day, it is difficult to imagine (or believe) that domestic life can emerge in and from these contexts. This standpoint arises, however, because we have a tendency to forget that massive migratory flows have a long history. The year 1945 is often indicated as the starting point of an irreversible sense of displacement. The fact of mass human displacement substantiated this feeling. Following the Second World War that saw an estimated 60 million people displaced, subsequent endeavours of nation-building, de/neo-colonisation and the rise of neoliberal globalisation has spurred the migration of millions upon millions searching for safety, better opportunities and lifestyles. There is no doubt that such human displacement has radically shaped perceptions, terms and concepts (e.g. the UN 1951 definition of a ‘refugee’) and significantly, our material environment. Nonetheless, over time, people have taken on and adapted existing materials and practices to ground or (re)root themselves in estranged places and contexts, and continue to do so. Architectural examples consist of mass informal housing, such as, the favelas in Brazil or ethnic enclaves in the global North (e.g. Chinatowns). But also, formal (top-down) initiatives like the erection of refugee camps and expat towns.

The goal of this conference is to critically engage with and reflect on the ways in which concepts, practices and material expressions of domesticity have been (and still are today) employed in response to displacement, forced or otherwise, since 1945.

Looking to historical case-studies (either in the plural or the singular) not only shines light on the complex entanglement of these positions, but can help clarify contemporary situations and ‘crises’. We invite applicants from a broad range of (inter-)disciplinary backgrounds to critically reflect on the material histories of the manifold expressions that embody processes of domesticity in displacement. In doing so, it is important to bear in mind that the concepts of displacement and domesticity are laden with explicit and implicit presumptions. This includes (but is not limited to) the implications of modern capitalist privatisation, repressive gender roles, nationalist and colonialist practices. In this regard, displacement and domesticity are concepts to be critically interrogated, and we invite applicants who put forth and reflect on theoretical positions and contemporary critical practices.

 


OpenEdition vous propose de citer ce billet de la manière suivante :
Pascal Fort (16 juillet 2018). Call for abstracts (European Architectural History Network): “Displacement and Domesticity since 1945. Refugees, migrants and expats making homes” (deadline: 15th September 2018). Carnet de veille UMR AUSser. Consulté le 17 juin 2025 à l’adresse https://doi.org/10.58079/uzy6


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